Showing posts with label Ryan Adams. Show all posts
Showing posts with label Ryan Adams. Show all posts
Wednesday, September 28, 2011
ARCHIVAL CD REVIEW - RYAN ADAMS & THE CARDINALS - III/IV
Having just listened to the brand spanking new Ryan Adams CD, Ashes & Fire about a dozen times on the free NPR stream, I am going to start digesting post gush and write about it but first let me pull s little something from the archives before it turns. I was gonna lay this review on y'all last year but got distracted by life and other roadblocks. Here's my review of the previous Ryan album. Okay, so I'm a little laid back. I wrote the review of Ryan's III/IV immediately after hearing it many months ago and then decided not to post it until I'd listened a few more times but never got around to a re-write. Here is the initial rushing spew in all of its flush-cheeked exuberance.
Watch for the new review of Ashes & Fire in a day or two...the CD comes out on October 11. Pre-order here. I just spent hours deciphering and scrawling out the new lyrics, learning a few chord changes for my next gig and ordering it on Amazon. In the meantime listen it here while it is still up on NPR and buy his entire catalog.
RYAN ADAMS - III/IV
Buy RYAN ADAMS III/IV now!...especially if you like The Strokes, Todd Rundgren, 80s power pop, Pretenders...his most rockin' record all the way through in ages...outtakes from Easy Tiger (Bonus CD) ...but this sounds so different than that wonderful album. Most of the tunes on this 2 CD set would have radically changed the vibe of that disc. Welcome back Ryan and Cardinals...keep 'em comin'.
Now, I'm one of these guys who can't believe that this guy isn't just the biggest thing ever but then again, I wouldn't want that because then he'd be even more pissy about the state of the bidness and maybe even quit again and I like him right where he is--big enough to be always striving for more vision and more expression. This guy is a craftsman first and foremost but not in the Steely Dan/Eagles pristine production way. More in the intense ability he has to make basic rock n roll songs sound unique and compelling through myriad sections, leaps of melodic faith, and memorable riffs. The thing about almost ALL of his records and the last couple in particular are how much is revealed on subsequent listens. Just when you think there are no hooks, they pull ya back in. On the next listen you feel inundated with them. This is music that is not obvious. My how refreshing he has become in today's rock world.
For those who don't know this guy HE RIPS! Any of his numerous previous albums are full of well-crafted songs, compassionate vocals and bottom line just a glimpse into one of the eras most prolific and accomplished singer/songwriters. And the Cardinals are what The Band used to be for Robbie Robertson...a songwriter's best friend: a group that can play any style you throw at them well.
There's a pretty direct paean to Tom Petty on the first disc's "Stop Playing With My Heart". But from past releases, you'll know that Adams is most definitely not afraid to wear his influences on his sleeve. I hear Todd R mostly in some of his vocal phrasing ("Kisses Start Wars" and the tune that immediately follows it "Crystal Skull", for instance).
There's a edgy hint of the Costello-esque in the slashing rhythm guitar figures here and there, but not much Dead or country or Neil Young this time out (but don't miss his last 3-4 for that tip). "NUMBERS" reminds me of X playing a Pete Townshend tune circa The Who Sell Out until the bridge which is pure Ryan.
"Sewers At the Bottom of the Wishing Well" melds The Clash with The Byrds, Crazy Horse with an opening riff halfway to The Beatles' "Please, Please Me". How hip is that!
Sewers at the Bottom of the Wishing Well
He even gets a bit of Freddie Mercury overbite on in "Star Wars" which is just a weirdly cool song. He gets slagged for being prolific but bottom line is, I've downloaded buckets of unreleased outtakes from this guy that put many of the present day chartbusters to shame. Rock on, baby.
Adams' albums are like those of Neil Young or David Bowie in that you always know a) that it's him b) that it will be interesting, c) that it may just be very different and unexpected from what you previous know but d) that it will always be quality and always be compelling. Sure we all have our favorites (I'm a Cold Roses and Easy Tiger guy), and like Neil and Bowie, there are always masterpieces to exist alongside near misses and blunders. But in the big picture, such is life. That these guys consistently just put it out there, diving in, heart first, craft second, critics/audience/sales somewhere farther down the list is a call for discerning listeners to keep supporting them, keep listening, keep buying tickets. Give these sonic poets their canvas and let `em run with it.
Since his recent marriage to pop/movie star Mandy Moore and his "retirement" from music, this surprising release was a wonderful treat. Recorded in 2007 during sessions for the Easy Tiger album, these 21 tunes have more bite and no real country.folky vibe like lots of his output with the Cardinals. This is a ROCK record, teasingly referencing Ryan's earlier incarnations pre-Cardinals. Here he has modernized his alt-rock pose from years ago, left the Grateful Dead references behind. A bit of arena rock grandiosity, barroom brawling 80s edge, some punk simplicity with a dash of hippie metal. Fun and somehat tossed off, not as desperately rockin' as his pre-sobriety music but no real twang as he's recently courted either.
While this holds up well, there is still something of a feeling that it is a stop-gap release while Ryan rejuvenates himself, folds his prodigious radar around his new muse and waits to see what shakes out next time. With Adams, like the best of his forebears you never can tell what will come next...and you can't wait!
(Obviously, "next time" is HERE on Oct. 11 and here's a tease...if you haven't already checked out the full stream of Ashes & Fire on NPR...this is a solo acoustic version of the lead track, "Dirty Rain". The album version has some band on it though subtle and tasty...)
Watch for the new review of Ashes & Fire in a day or two...the CD comes out on October 11. Pre-order here. I just spent hours deciphering and scrawling out the new lyrics, learning a few chord changes for my next gig and ordering it on Amazon. In the meantime listen it here while it is still up on NPR and buy his entire catalog.
RYAN ADAMS - III/IV
Buy RYAN ADAMS III/IV now!...especially if you like The Strokes, Todd Rundgren, 80s power pop, Pretenders...his most rockin' record all the way through in ages...outtakes from Easy Tiger (Bonus CD) ...but this sounds so different than that wonderful album. Most of the tunes on this 2 CD set would have radically changed the vibe of that disc. Welcome back Ryan and Cardinals...keep 'em comin'.
Now, I'm one of these guys who can't believe that this guy isn't just the biggest thing ever but then again, I wouldn't want that because then he'd be even more pissy about the state of the bidness and maybe even quit again and I like him right where he is--big enough to be always striving for more vision and more expression. This guy is a craftsman first and foremost but not in the Steely Dan/Eagles pristine production way. More in the intense ability he has to make basic rock n roll songs sound unique and compelling through myriad sections, leaps of melodic faith, and memorable riffs. The thing about almost ALL of his records and the last couple in particular are how much is revealed on subsequent listens. Just when you think there are no hooks, they pull ya back in. On the next listen you feel inundated with them. This is music that is not obvious. My how refreshing he has become in today's rock world.
For those who don't know this guy HE RIPS! Any of his numerous previous albums are full of well-crafted songs, compassionate vocals and bottom line just a glimpse into one of the eras most prolific and accomplished singer/songwriters. And the Cardinals are what The Band used to be for Robbie Robertson...a songwriter's best friend: a group that can play any style you throw at them well.
There's a pretty direct paean to Tom Petty on the first disc's "Stop Playing With My Heart". But from past releases, you'll know that Adams is most definitely not afraid to wear his influences on his sleeve. I hear Todd R mostly in some of his vocal phrasing ("Kisses Start Wars" and the tune that immediately follows it "Crystal Skull", for instance).
Kisses Start Wars
There's a edgy hint of the Costello-esque in the slashing rhythm guitar figures here and there, but not much Dead or country or Neil Young this time out (but don't miss his last 3-4 for that tip). "NUMBERS" reminds me of X playing a Pete Townshend tune circa The Who Sell Out until the bridge which is pure Ryan.
Numbers
"Sewers At the Bottom of the Wishing Well" melds The Clash with The Byrds, Crazy Horse with an opening riff halfway to The Beatles' "Please, Please Me". How hip is that!
Sewers at the Bottom of the Wishing Well
He even gets a bit of Freddie Mercury overbite on in "Star Wars" which is just a weirdly cool song. He gets slagged for being prolific but bottom line is, I've downloaded buckets of unreleased outtakes from this guy that put many of the present day chartbusters to shame. Rock on, baby.
Adams' albums are like those of Neil Young or David Bowie in that you always know a) that it's him b) that it will be interesting, c) that it may just be very different and unexpected from what you previous know but d) that it will always be quality and always be compelling. Sure we all have our favorites (I'm a Cold Roses and Easy Tiger guy), and like Neil and Bowie, there are always masterpieces to exist alongside near misses and blunders. But in the big picture, such is life. That these guys consistently just put it out there, diving in, heart first, craft second, critics/audience/sales somewhere farther down the list is a call for discerning listeners to keep supporting them, keep listening, keep buying tickets. Give these sonic poets their canvas and let `em run with it.
Since his recent marriage to pop/movie star Mandy Moore and his "retirement" from music, this surprising release was a wonderful treat. Recorded in 2007 during sessions for the Easy Tiger album, these 21 tunes have more bite and no real country.folky vibe like lots of his output with the Cardinals. This is a ROCK record, teasingly referencing Ryan's earlier incarnations pre-Cardinals. Here he has modernized his alt-rock pose from years ago, left the Grateful Dead references behind. A bit of arena rock grandiosity, barroom brawling 80s edge, some punk simplicity with a dash of hippie metal. Fun and somehat tossed off, not as desperately rockin' as his pre-sobriety music but no real twang as he's recently courted either.
While this holds up well, there is still something of a feeling that it is a stop-gap release while Ryan rejuvenates himself, folds his prodigious radar around his new muse and waits to see what shakes out next time. With Adams, like the best of his forebears you never can tell what will come next...and you can't wait!
(Obviously, "next time" is HERE on Oct. 11 and here's a tease...if you haven't already checked out the full stream of Ashes & Fire on NPR...this is a solo acoustic version of the lead track, "Dirty Rain". The album version has some band on it though subtle and tasty...)
Friday, January 16, 2009
2009 SCHLOCK TREATMENT
Well, it has been a few months and I've decided to try a few new tricks here to get myself blogging at STMonkey more often. I know, so many distractions...that evil thing called work, those distractions like eating, playing gigs, sitting on Facebook and MySpace for hours, watching the entire Season Six of 24 before Season Seven starts...having a different book and magazine next to each chair I may plop in (and this includes the front seat of my car, the commode, the bed...even the rocker on my front porch)...chasing girls..the usual distractions.
So I'm taking a turn from some of my fellow bloggers and I think I will use this place as a dump for whatever cultural claptrap comes across my desk each day as well as the occasional diatribe, cd or concert or book review etc. I always seem to wait until I have a huge writing urge and those tend to get divided between my letters to friends, my journals, my sex blog (don't ask) and random assorted networking rambles...so my promise is to attempt a more frequent attentiveness and instead of just letting some of this stuff flow by, I'll stick it here and see what happens.
Of course, I will love any feedback you can give. If it is just easier to post this stuff on MySpace or Facebook, I may just wind up there but at least here it will be a concentrated view as opposed to shifting through news of my band, my friends' daily personal issues, etc.
So here are a couple of things of interest (to me anyway)...come back again, subscribe, hang out...
The DEAD to play Barack's Inagural Ball
http://www.rollingstone.com/rockdaily/index.php/2009/01/15/barack-obama-selects-the-dead-for-inauguration-ball-it-was-quite-an-honor/
Okay but I think some of the guys played at Clinton's Inauguaral...any one recall? So what WILL they play? Songs from the set list from the 10/13 ROCK FOR CHANGE show may give some clues...Help On The Way...Throwin' Stones...Dark Star...Not Fade Away...Playin' in the Band...all somehow appropriate. Any other ideas? I say GOLDEN ROAD works...
Elvis Costello sings the Grateful Dead tune LOSER
Years ago, when I first heard a tape of Elvis' live version of the Dead's SHIP OF FOOLS I was blown away by what a great match it was for his voice and style. This is cool too is a tad raggedy. Looks from the backfrop like it was from Golden Gate Park but I'm not sure. That would indeed be appropriate. Elvis is one of the great music fans out there. A huge collector with a vast knowledge of so many styles and genres. I was pleased to be in the studio with him on a couple occassions for a Mingus Orhetra session where he wrote lyrics to and sang a relatively obscure Mingus tune, Invisible Lady. I also had a chance to be in on the session for Elvis's performance on Marian McPartland's Piano Jazz show on NPR and he was a fabulous guest. Gracious and full of insight into the jazz tunes and standards he played with Marian that day. Very cool. Check out his talk/music show on Sundance Channel, SPECTACLE. Possibly the best music show on TV since NBCs NIGHT MUSIC years ago.
Ryan Adams Quits the Music biz
http://www.pitchforkmedia.com/article/news/148460--ryan-adams-is-quitting-music-says-ryan-adams
Ok, so many of you know I think Ryan Adams is the best damn songwriter out there these days. Yeah, I dig Ray LaMontagne as well but Ryan is the man. Prolific as can be, stylistically interesting like Neil Young, Todd Rundgren, and many of the best "artists" before him. The Bowie's, the Willie Nelson's...guys who always sound like themselves, have an identity but are not afraid to push the envelope some every time out. Artists who were there influences out in the open but always add something totally unique and intriguing everytime out.
Now MANY famous artists retire, some over and over agin, just to find life out of the spotlight boring and suddenly realize that they are gonna be creative no matter what so they may as well share it with the world...Artie Shaw and Elton John retired numerous ties...Bowie, Tina Turner, Dylan, Charles Lloyd and many of them have come back and given us some of their most timeless work.
See ya in a bit, Ryan. We'll miss ya while you're gone, and we'll look forward to your return. I'm sure it will be not a minute too soon.
(Photo at top of me, Marian McPartland and Elvis Costello courtesy of RJ Capek)
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