What You'll Find Here: Music, Movies and Me

Since May 1976, I have written in journals. When I have nothing particularly resonant to say about my own inner turmoil, philosophic ramblings, sexual peccadillos or whining on about the state of the world around me...I have always fallen back on reporting the cultural time consumption that takes up in inordinate portion of my daily goings on.

In the 40+ years since my first concerts seeing Children's Symphony presentations on Sundays at the Pasadena Civic or The Hot Jazz Society's monthly Dixieland romps in an old meeting hall on the edge of the L.A. "River" across from Griffith Park, I have been sold heavily on the magic of live music. As Neil Young so aptly put it, "Live music is better bumper stickers should be issued."

Growing up a few orange groves and canyons length away from Hollywood also contributed greatly to my family's addiction to movie going. From the time I was a small there were weekly trips to the drive-in theaters that dotted the landscape, or the local Temple theater for the Saturday matinees. Once in a while we'd drive the 12 miles into Hollywood and see something in one of the magnificent old movie palaces like Grauman's Chinese, the Egyptian, The Pantages or later the Cinerama Dome. My dad loved Westerns and War movies, as if he didn't get enough shoot-'em-up as an L.A. County Sheriff in his day gig, my mom adored musicals and comedies. My brother and I loved them all.

At SDSU, I played in my first gigging band and began booking concerts on campus as part of the well-funded Cultural Arts Board, kindling for my future life in and around music.

So it's not surprising that my first jobs out of college were working in local video rental places (which were all the rage) or managing a couple of Sam Goody record stores in Mall's on the East Coast where we marveled at the new CD format and sold the first home computers and video games (yes Commodore and Pong and Atari).

So these are really just extensions of all of those journal entries talking about the great new movies I was seeing and LPs/CDs I was listening to.

Though iPODS/iPADs, apps, smart phones and downloads now make music and movies accessible in your own pocket, there is still nothing like sitting in front of a stack of speakers with a room full of people swaying to music created before your eyes. Nor is there anything that works quite so well for me to escape the real world and all of it's pressures just outside than two hours in a dark theater, absorbing the stories flickering across that wide screen as they pull you into their world.

But a really good taco runs a close third...

Sunday, December 16, 2012

CLASSIC SONGS: "CROSSROADS" REVISITED





I had originally posted this Stills medley because it was just too good not to share with y'all. But a coincidental performance by Eric Clapton on the same day I found this Stills take was too cool to pass up so what we have here is an appreciation of one of the signposts of blues rock, the Robert Johnson song "Crossroads". You can delve into the history of the song here and the strange legacy of the great Robert Johnson has been explored endlessly elsewhere but for today here are some fun stabs at this essential blues rave-up.

First, Robert Johnson's slightly looser version leads the column above. His other version (also from 1936) can be heard here.

Vintage Stills, this solo acoustic version of his medley of Robert Johnson's "Crossroads" and Chuck Berry's "You Can't Catch Me" is a very different take on the tune, uniquely Stillsian. Circa 1983 from TV's "Rock N Roll Tonight" show. See more of his set from this broadcast here featuring rare duo performances of Stills & Graham Nash.



Most of the electric versions here owe a huge debt to Creams's classic renditions of the song which we'll end the blog with. The version of "Crossroads" below is from Eric Clapton's recent set at Madison Square Garden for the 12/12/12 Sandy Relief concert. See more from his set here.



Here's one from jamband heroes Phish recorded live 12/29/97.



Before shredding was a musical term, the kings of shred. CREAM from the film Farewell Cream Filmed at their final concert at the Royal Albert Hall on November 26, 1968...

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VIDEO: MIKE WATT + THE MISSINGMEN - COVER JIMI, WIRE, MINUTEMEN, ROKY, STOOGES, B.O.C.

Mike Watt + Missingmen on their recent "2nd heapin' helpin' of 3rd opera tour 2012"
have been performing Jimi Hendrix and Band of Gypsys' classic "MACHINE GUN" as part of their encores. Here's it is in a medley with Wire's "106 Beats That", Minutemen's "Glory of Man" both sung by Watson and "The Glory of Man" Blue Oyster Cult's "The Red & The Black" from October 6, 2012 & The Vaudeville Mews in Des Moines, IA.

Mike Watt: thud staff, vocals / Tom Watson: guitar / Raul Morales: drums...I'm not sure who the two guest guitarists are. Sorry. Nevertheless, crusher.


"START A BAND!!!" Word.


This below is cool too...from earlier in 2011 in Seattle with special guests Dave Grohl, Pat Smear  and Eddie Vedder all of whom were in Watt's band in 1997...slamming into Watt's "Big Train" and Iggy & The Stooges "Fun House"...


 also a taste of last week's gig in Pedro courtesy of Skipper Jeff.. first covers of Wire's "Three Girl Rhumba" and below that Roky Erickson's "Sweet Honey Pie"... Watt's got it covered.



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