What You'll Find Here: Music, Movies and Me

Since May 1976, I have written in journals. When I have nothing particularly resonant to say about my own inner turmoil, philosophic ramblings, sexual peccadillos or whining on about the state of the world around me...I have always fallen back on reporting the cultural time consumption that takes up in inordinate portion of my daily goings on.

In the 40+ years since my first concerts seeing Children's Symphony presentations on Sundays at the Pasadena Civic or The Hot Jazz Society's monthly Dixieland romps in an old meeting hall on the edge of the L.A. "River" across from Griffith Park, I have been sold heavily on the magic of live music. As Neil Young so aptly put it, "Live music is better bumper stickers should be issued."

Growing up a few orange groves and canyons length away from Hollywood also contributed greatly to my family's addiction to movie going. From the time I was a small there were weekly trips to the drive-in theaters that dotted the landscape, or the local Temple theater for the Saturday matinees. Once in a while we'd drive the 12 miles into Hollywood and see something in one of the magnificent old movie palaces like Grauman's Chinese, the Egyptian, The Pantages or later the Cinerama Dome. My dad loved Westerns and War movies, as if he didn't get enough shoot-'em-up as an L.A. County Sheriff in his day gig, my mom adored musicals and comedies. My brother and I loved them all.

At SDSU, I played in my first gigging band and began booking concerts on campus as part of the well-funded Cultural Arts Board, kindling for my future life in and around music.

So it's not surprising that my first jobs out of college were working in local video rental places (which were all the rage) or managing a couple of Sam Goody record stores in Mall's on the East Coast where we marveled at the new CD format and sold the first home computers and video games (yes Commodore and Pong and Atari).

So these are really just extensions of all of those journal entries talking about the great new movies I was seeing and LPs/CDs I was listening to.

Though iPODS/iPADs, apps, smart phones and downloads now make music and movies accessible in your own pocket, there is still nothing like sitting in front of a stack of speakers with a room full of people swaying to music created before your eyes. Nor is there anything that works quite so well for me to escape the real world and all of it's pressures just outside than two hours in a dark theater, absorbing the stories flickering across that wide screen as they pull you into their world.

But a really good taco runs a close third...

Thursday, August 23, 2012

JAZZ NEWS - TROMBONIST CLIFTON ANDERSON 3rd CD DROPS 9/25


Trombonist-Composer

CLIFTON ANDERSON

Releases His Third CD, and so we carry on,

On Daywood Drive Records, September 25, 2012

 With DONALD VEGA (piano), ERIC WYATT (tenor sax),
ESSIET ESSIET (bass) and STEVE WILLIAMS (drums)
Recording Also Features Special Guest Artists:
MONTY ALEXANDER, BOB CRANSHAW, KIMATI DINIZULU,
KENNY GARRETT, STEVE JORDAN, WALLACE RONEY,
JEFF "TAIN" WATTS, WARREN WOLF and VICTOR SEE YUEN
"With people increasingly faced with turmoil, uncertainty and crisis,
I wanted to create music that uplifts the listener and offers a sense of hope to prevail."
- Clifton Anderson
"Trombonist Clifton Anderson gives US the soul, substance and spirit to carry on.
Listen closely, this music will move you through the days ahead in spite of..."
- Gary Walker, WBGO Radio

What happens when you get a bunch of friends together? Trombonist, composer and producer Clifton Anderson went into the studio in September 2011 to record and produce his third release as a leader, and so we carry on, with a stellar lineup of guest artists who also happen to be his friends. The featured friends -- pianist Monty Alexander, soprano saxophonist Kenny Garrett, bassist Bob Cranshaw, trumpeter Wallace Roney, percussionists Kimati Dinizulu and Victor See Yuen, and drummers Steve Jordan and Jeff "Tain" Watts -- blended seamlessly with Clifton's working band, pianist Donald Vega, tenor saxophonist Eric Wyatt, bassist Essiet Essiet and drummer Steve Williams, to create a musical blueprint for hope, renewal and carrying on.

and so we carry on opens with its title track, an original composition full of intense tones and powerful energy, letting listeners know that this is stress-relieving, feel good music. In total, there are six new original compositions, each brilliantly crafted to take the listener on an emotional journey to provide musical relief for motivation to navigate through hard and confusing times. There are also three uniquely arranged standards; the Rogers & Hart ballads "Where or When" and "Falling in Love with Love," both given fast-paced treatments, and a bright, sunshiny take on the eternally optimistic "Tomorrow," from the musical Annie.

The provocative CD cover image by artist Rudy Gutierrez is a disturbing mixture of chaos, turmoil, and just plain old scary stuff. Clifton Anderson hopes that the musical journey on and so we carry on will be the right antidote to enable people to feel better after listening.


Clifton Anderson was born on October 5, 1957 in Harlem, New York City. He grew up surrounded by music. His father was a church organist/choir director, and his mother a singer and pianist. It was no surprise that Clifton exhibited an affinity for music at an early age. When he was seven years old, he got his very first trombone, a gift from his uncle, legendary tenor saxophonist Sonny Rollins. 
Clifton attended the prestigious Fiorello LaGuardia High School of Music and Art in New York City and is a graduate of The Manhattan School Of Music. In 1983, Clifton got the call to join his uncle Sonny on the road. For over three decades, he performed as a member of Sonny’s group and toured extensively with him around the world. Clifton has also appeared on ten of his recordings and has produced four releases for Sonny’s label, Doxy Records. 


In 1997, Clifton released his first recording as a leader/producer on the Milestone label entitled Landmarks. Landmarks received critical acclaim internationally and made the top ten playlists on US Jazz radio coast to coast. At the end of 2007, Clifton went back into the studio as a leader to produce the highly anticipated, critically-acclaimed Decade (2009). 
Clifton has worked and performed with a “who’s who” of diverse musical legends, such as Stevie Wonder, McCoy Tyner, Frank Foster, Slide Hampton's World Of Trombones, Dizzy Gillespie, The Mighty Sparrow, Lester Bowie, Dee Dee Bridgewater, Paul Simon, Carlos Garnett, Terumasa Hino, Keith Richards, Muhal Richard Abrams, WyClef Jean, Geri Allen, T.S. Monk, and Charlie Haden, among others.
Clifton Anderson
Release Date: September 25, 2012
Label: Daywood Drive Records
Distributed by BFM Digital

Management:
Brian McKenna / McKenna Group Productions
brian@mckennagroupproductions.com

Publicity:
Stephanie Dawn Agency {SDA}
Steph Brown
StephbSDA@gmail.com
Davida Garr

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